Making great Moon photographs is not outside the scope of someone with a small, lightweight digital camera, an SLR
camera or even a webcam.
Ok, the first picture shown below was taken by NASA but have a look at the the others on this page - they were
all done with inexpensive cameras. You too can make shots like these without expensive equipment.
Also, you don't need a very powerful telescope to look at the moon, even a small one can give pin-sharp images. But to get good
photographs of the Moon it is necessary for the telescope to have an internal mechanism to follow the Moon as it moves
across the field of view. Whatever the exposure, if the Moon is moving across the field of view the result will be blurred.
You need to buy a driven telescope and position the camera lens close to the eyepiece to ensure good pictures. This is called
afocal photography, where the object seen through the telescope is photographed by a camera which is held in place near to
the eyepiece of the telescope.
You only need a fairly basic camera for afocal photography. Choose a low magnification eyepiece for your telescope so that
the image is as bright as possible, and focus the moon through it before positioning the camera close to the eyepiece.
You will need to be creative to find a temporary way of fixing the camera in position using blue tack and tape. Of course this is
only going to work if your camera is quite small and light weight but even with small point and shoot cameras you can still get
good quality images. Set the focus on your camera to infinity before fixing it in place.

Moon Photograph - Nikon D40, 1/400 sec at f/5.6, ISO 200 (Photo: Flemming Christiansen)
Vignetting
You may find your photographs suffer from vignetting, where there is a dark area around the central part of the image caused
by taking the photo through the eyepiece of the telescope. This happens when the lens of the camera is bigger than the
eyepiece on the telescope so check before you buy, if possible. If you use an SLR then the problem of vignetting is avoided. This
is because the internal system of the camera ensures that what you see in the viewfinder is exactly the same as the camera records
on the film or sensor.
A basic SLR will do the job well but your main problem then may be vibration when you press the shutter release
button so make sure you use a cable release or the timed delay function. I prefer the latter method as this gives the camera
a few seconds to stabilize after having been handled. Some basic SLRs may cause internal vibration from the
shutter/mirror mechanism but you can still minimize vibration and shake by using the timed delay function.

Crescent moon photograph (Photo: Opoterser)
ISO Settings
The ISO film speed (ISO settings if you are using digitial) for this kind of photograph should be 100 or 200. If it is too slow
(less than 100) then you will need longer exposure times and hence the risk of blur is greater. If it is faster (greater than 200)
you will have too much grain (or digital noise) which is particularly important if you plan to print out enlargements of your images.
The bigger the enlargement, the more noticeable is the grain (noise).
Telephoto Lenses
If you have an SLR with a telephoto lens it may be easier for you to just photograph the Moon without using a telescope at all.
It's easier to set up and you can carry it to wherever you want to make the shots more easily. In this case you may like to use a
higher ISO rating to give a shorter exposure time as you will be more likely to capture greater detail this way. You could also
think about buying a teleconverter for your set up. A 2x teleconverter will turn a 500mm lens into a 1000mm lens although the
image may be slightly darker as the light has to pass through the lenses of the teleconverter. Also be aware that the optical
quality will not be quite as high for the same reason.

Moon Photograph - Olympus E-510, 1/1000 sec, f/5.6, 150 mm (Photo: William Warby)
Prime Focus Photography
Another possible method is to attach a telescope (without the eyepiece) directly to the body of a camera (minus the lens) so that the
telescope functions the way a telephoto lens would. This is called Prime Focus Photography. Focussing the Moon is then
done with the telescopes focussing looking through the camera's viewfinder.
Exposure Times and Shutter Speeds
I would advise you to bracket at all times, taking a variety of exposures, and to keep a record of the ISO
settings, film type and the lunar phase so that you can repeat the successful experiments and avoid the not-so-successful
ones.
The three variables to take in to account when calculating how to photograph the Moon are the focal length, ISO and lunar phase. Yes,
the Moon's brightness is a non-variable but a half Moon is actually only one-ninth as bright as a full Moon - not what you expect!
Also when the Moon is low in the sky there can be haze which will make the Moon seem dimmer. Cloud and atmospheric pollution have
the same efffect.
As a single example to give you something to base your first trials on, the camera used for the crescent moon photograph
by P. Bramwell (second from the top of the page) was a 4.0 megapixel Olympus C40Z/D40Z with an exposure time of 1/40 sec, f stop of f/3.4, ISO 100,
and a lens focal length of 7.5 mm. Two of the other Moon photographs have details of the camera settings included in the caption. This information
should help to get you out there under the starry sky feeling full of confidence!
However it is not really possible to give precise numbers and f-stops here, nothing that is set in stone.
Just get out there and experiment a lot, keep a good record, and keep practising. Whether you want to make full Moon photographs or crescent Moon
photographs doesn't matter, they are both beautiful.
You can check the current phase of the moon from the widget in the bottom of the
right side bar - just scroll back up a bit - and then get shooting!
Alternatively, follow this link to read my quick-start guide
for beginning astrophotography or
this link if you want to find out
about astrophotography telescopes or
read on below to find the best books to help you on your journey to the stars!
Digital Astrophotography: A Guide to Capturing the Cosmos
Stefan Seip
Researching the best equipment for your needs is a task in itself.
Digital Astrophotography
helps you to
sort out which cameras are best for the various celestial objects, what to look for
when buying a camera, and what accessories you really need.
Once you have got your gear, Seip hows you how to:
- Set up your camera for optimum results
- Focus your camera for razor-sharp images Take beautiful night shots with a simple compact
digital camera, a tripod, and a telescope
- Use a DSLR camera to shoot the Sun, Moon, stars, star clusters, and nebulae through your telescope
- Get brilliant images of planets with a Webcam Capture remote galaxies with a charge-coupled
device (CCD) camera just like a pro
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The 100 Best Astrophotography Targets
Ruben Kier
Any amateur astronomer who is interested in astrophotography, particularly if just getting
started, needs to know what objects are best for imaging in each month of the year. These
are not necessarily the same objects that are the most spectacular or intriguing visually. The
camera reveals different things and has different requirements. What objects in the sky tonight
are large enough, bright enough, and high enough to be photographed?
The 100 Best Astrophotography Targets
reveals, for each month of the year, the choicest celestial treasures within the reach of a commercial CCD camera.
Helpful hints and advice on framing, exposures, and filters are included. Each deep sky object is
explained in beautiful detail, so that observers will gain a richer understanding of these
astronomical objects.
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