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The history of aerial photography began long before the Wright brothers developed the right stuff for the Kitty Hawk in
1909, in a rather modest if eccentric way, with a Frenchman called Arthur Batut.
In the photograph below, gazing into the camera with beret decidedly cocked to one side, Batut renders himself every inch
the maverick. Indeed, among photographers who have shaped history, we must count Arthur Batut (1846-1918).
Arthur Batut: Self Portrait
The full drape of Batut's black cape gives the impression that he, himself,
could take flight.
 Aerial Photograph of Labruguière, France, 1889 (Photo by Arthur Batut)
Batut, however, did not himself leave the ground as he pioneered aerial photography: he ingeniously attached a camera to a kite
and rigged the shutter to open when a lighted fuse burned to its end, causing the camera to take a picture.
 Arthur Batut's Kite
The kite above is certainly the largest version of what we would consider a child's kite, and the photographer could
not know with any certainty if his pictures would be worthy of further study or have intrinsic value. I think, however, that
may be the case for many innovators and their inventions. They seem almost to thrive upon amazing themselves and others
(eureka!).
Would we almost universally recognize our blue marble of a planet from NASA photographs if it were it not for the
happenstance history of aerial photography? I cannot conceive (perhaps I am a tad biased) of another art form that can lay
claim to this level of beauty and utility simultaneously.
The Next Step
One of the next logical if eccentric moves within the history of aerial photography would be:
 Carrier Pigeon with Camera Strapped to its Chest
Yes! the carrier pigeon! The picture made by a pigeon could function as military surveillance, archeology or mapping of a
site, or as art.
 Pigeon with Camera in Flight
Although I have not recently seen aerial photographs made by pigeons, I have seen those made by kite. Batut had begun what
today is considered a way of making artistic photographs. Both amateur and professional photographers follow in Batut's
footsteps. The differences, of course, are the kind and quality of the cameras used; the control gained from remote-control
of the camera and some elaborate planning; and the sometimes complex anchoring of the kite for optimal imaging.
Aerial Photography in War Time
Let's now examine the next important move in the history of aerial photography, its use in warfare. Warfare was forever
changed when the photographer hung outside the plane as it flew above an area for surveillance. During World War II,
cameras were already fitted into the bottom of the aircraft and multiple shots taken to simulate a panoramic effect.
Although both German and Allied military relied upon aerial photography during the war, the Allied troops diverted attention
away from the planned landing spots on the beaches of Normandy by meticulously planting fake inflatable artillery and tanks,
cardboard buildings, and changing tyre tracks, to fool the Germans who photographed these artifacts from the air. They had
constructed artificial staging grounds which were monitored by the German military for days leading up to D-Day on June 6th 1944.
Hence, aerial photography proved critical to the success of the D-Day landing by leading the Germans to believe that the
attack would come primarily from Calais, diverting many German troops away from the actual Normandy landing sites.
Below is a reconnaissance picture of fake ships in an unused harbor.
Aerial View of a Fake Fleet at Pas-de-Calais, France
Today's military operations employ stealth technology to evade the range of cameras and detection, while advances in imaging
have made possible the detection of the heat and even mass of potential targets. Waves that bounce off planes, rockets,
and satellites seek to penetrate what might or might not be apparent to the eye. Imaging technology has reached levels
that defy the kind of obfuscation possible during World War II.
The Sky is the Limit
The history of aerial photography is as wide as it is deep. We have barely scratched the surface in this article
but hopefully you can appreciate its scope. In a short period of time - from the first
attempts at kite photography to the imaging technology available to us today - innovators within all of photography have been
limited only by what they could have imagined.
The history of aerial photography has finally led us here...
 The Blue Marble Photo by NASA
...the image of Earth known as the "blue marble", as well as to beautiful pictures of myriad earth scapes and more from a
satellite's or rocket's eye-view. The sky is indeed the limit!
 Kite Aerial photograph of Calton Hill, Edinburgh, 2007, made with a remote-controlled camera suspended from a kite (Photo: Patrick Fulton)
Vertical and Oblique Aerial Photography
Kites, pigeons and light aircraft all take images which come under the general heading of oblique aerial
photography, meaning low-level arial photography.
The NASA image of the planet earth on the other hand comes under
the heading of vertical aerial photography, meaning the photograph was taken from a place where the camera axis was vertical
at the exact moment of exposure. More precisely, oblique aerial photography is taken from a camera with more than 3 degrees
tilt while those with less than 3 degrees tilt are considered oblique.
Great arial photography doens't require an in-depth knowledge of rocket science or vast expense. The Edinburgh photograph
above was taken in 2007 with a remote controlled (RC) camera suspended from a kite. The technology involved in making
this kind of image is widely available and relatively inexpensive.
Read more! Follow the link to read all about...
RADIO CONTROLLED AERIAL PHOTOGRAPHY
 Shooting from the Clouds: Popular Mechanics Nov 1939
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